Audio

Kommet herzu, lasst uns dem Herrn frohlocken from Psalm 95 by F. Mendelssohn. Boston, MA 2018
Denn in seiner Hand ist from Psalm 95 by F. Mendelssohn. Boston, MA 2018
Recitative: Die Welt wird wieder neu from BWV 202: Weichet nur, betrübte Schatten by J.S. Bach. Den Haag, The Netherlands, 2001
Recitative: There were shepherds abiding from The Messiah by G.F. Handel. With Auckland Choral, Director: Uwe Grodd. Auckland, New Zealand, 2016
Aria: Doch bin und bleibe ich vergnügt from BWV 150: Nach dir, Herr, verlanget mich by J.S. Bach. Boston, MA 2018
Aria: Rejoice greatly from The Messiah by G.F. Handel. With Auckland Choral, Director: Uwe Grodd. Auckland, New Zealand, 2016
Act II: My name is Rosy Lickspittle (Witch) from Hansel and Gretel by E. Humperdinck. With Cambridge University Opera Society. Hansel: Lucy Roberts. Gretel: Camilla Farrant. Cambridge, England, 2007
Aria: Weichet nur, betrübte Schatten from BWV 202: Weichet nur, betrübte Schatten by J.S. Bach. Cello: André O’Neil. Den Haag, The Netherlands, 2001
Aria: Phoebus eilt mit schnellen Pferden from BWV 202: Weichet nur, betrübte Schatten by J.S. Bach. Cello: André O’Neil. Den Haag, The Netherlands, 2001
Aria: O Signor, chi sarà mai, S.614 by B. Marcello. Cello: André O’Neil. Den Haag, The Netherlands, 2001
Aria: What Passion Cannot Music Raise and Quell from Ode for St. Cecelia’s day by G.F. Handel. Cello: André O’Neil. Den Haag, The Netherlands, 2001

Video

Nigra Sum Sed Formosa: A Fantasy on microagressions. Music: Jonathan Woody. Text: Song of Solomon/main text compiled by Reginald Lee Mobley. Soprano I: Elise Groves. Soprano II: Cassandra Extavour. Alto: Reginald Lee Mobley. Tenor: Stefan Reed. Bass: Jonathan Woody. Boston, USA 2019.

The Lee Shore. Composer: Samuel Coleridge-Taylor. Soprano I: Elise Groves. Soprano II: Cassandra Extavour. Alto I: Julia Cavallaro. Alto II: Reginald Lee Mobley. Tenor I: Stefan Reed. Tenor II: Gregory Zavracky. Bass I: Jacob Cooper. Bass II: Jonathan Woody. Boston, USA 2019.